ART DECO – THE AGE OF ELEGANCE
On Thursday 28h November, the Haywards Heath Ceramics Group hosted a Discovery Day at the United Services Club in Sussex Road.
The members and guests greatly enjoyed the day with Will Farmer, well known on the Antiques Road Show.
Will Farmer
Members arriving
Will Farmer presented a wonderful insight into the Age of Art Deco, explaining the influences on the designers of ceramics during the period and beyond. He talked about the Great Paris Exhibition in 1925 which designed to bring France to the forefront of Art, Design and Technology in the post war years. It was the most important exhibition that brought forward the Art Deco movement.
We entered the 1925 Exhibition through one of its Art Deco gates, visited the buildings of the great “magasins” of Paris and were surprised by the magnificent fountain (fourteen foot tall) designed and built by Rene Lalique which was lit by neon lights at nights – an absolute spectacle in glass!
Lalique Fountain for the 1925 Paris Exhibition
Will has an absolute passion for the Art Deco period and told of its influences on all walks of life including cinema, travel, engineering, construction of buildings as well as interior design, fashion and jewellery; breaking boundaries across the world, being new and challenging.
The Chrysler Building in New York, Battersea Power Station in London and the “Hoover” building on the Great West Road leading out of London are examples of Art Deco Architecture.
Fashions were taken to the extremes with Sonia Delaunay matching the paintwork of a car to the outfit worn by models.
Sonia Delaunay designed a matching outfit and car
The influences came from Picasso, Modigliani, Mondrian to name but a few; the Mayan, Aztec and Egyptian cultures; China and Japan, and Africa. Paris, New York and Shanghai were the leading exponents of the designs.
The designs clearly showed the link between the sources and the results. They also showed the depth of research which has been done into this great style which touches everything and after the austerity of the Great War was grasped by many with both hands for the “dynamic” and sleekness of the designs.
In the afternoon, Will brought the talk back to the influences on ceramics with examples from the leading manufactures – Clarice Cliff, Poole and Carlton Ware, showing the impact of Cubism and Abstractionism on the designs in particularly Clarice’s and the Poole designs. Explaining too that the Ballet Russe commissioned Picasso for set designs. During the period pattern books were being widely used, particularly that of Benedictus, and examples of this book prove the connections between all these influences.
Carlton Ware
This was an unmisseable day and thoroughly enjoyed by everyone. Will Farmer is an excellent speaker and really brings the subject to life with his knowledge and enthusiasm – we are all looking forward to his next visit to our Group.
